Die Testament: Afrikaans mobile drama dropping Monday

The new show TV I just co-developed and head wrote working with the amazing Nicole Bailey Mostert and Gerhard Mostert. We had a most amazing team of writers including Abena Ayivor Nonzi Bogatsu Jacqueline Trimble Carolyn Cooke Jennifer Hsu and all helped out by Charlie Sapadin. We have an incredible cast including Nico Panagio, Rolanda Marias, Andahr Cotton, Amrain Ismail-Essop, and the inimitable Sandra Prinsloo.

We broke new ground in so many ways
– first Afrikaans five minute drama to be watched on mobile devices
– first class director, producer, crew and cast including the greats of Afrikaans TV and film
– and probably the first Afrikaans drama primarily written by a team of mostly black women! :-).

Been a magical experience.

2019: Spill the Spice . . .

Most of my adult life I’ve loved Jars. Wrote a poem about them at my lowest points in my twenties: “I’m putting my life in jars / jars of dried tomatoes in olive oil / jars of green pickles / . . . lonely afternoons a half gallon jar / a quick look crossing Prospect street in a jar near the back / anguish jars / fearful jars / don’t you dare speak to me again jars . . .”

Late 2018, year end I bought new spice jars: magnets on my wall. I peer at them each day, admiring potency captured in glass . . .

Until I realize this is a different phase of my life, I may not need jars like I used to.. “Spill all the spices, let them bleed” a trusted friend says. Hell yeah . . .

Megjid-Janraiseg

Megjid Janraiseg

Back in Mongolia, I visit the Gandantegchinlen buddhist monestary. The great statue  of  Megjid-Janraiseg (the lord who watches in every direction) was built in 1809.  In the 1930s, the communist government of Mongolia destroyed most monasteries, killed 15,000 lamas, and by 1938 Russian troupes dismantled the statue and used it for scrap metal.

The statue was rebuilt in 1992, 87 feet high, covered in gold, with more than 200 pounds of silk, 2286 precious stones, and filled with 27 tons of medicinal plants, 334 sutras and 2 millions mantras.  Megjid-Janraiseg surrounded by one thousand statuettes of God Amitabha, like dolls in a case I say, but told to be quiet.

Seoul Stop By

Seoul Header Image

I never should have listened to Japanese friends – telling me Seoul was a third rate Tokyo. I finally got the chance to stop by, magical . . .

Like Tokyo with grit, a thrilling mix of ultra-modern, ancient, green hills popping up in the middle. Perhaps it’s partly because of LA – I live next to Koreatown, I felt connected, intrigued, a longing. I want more.

Selma Writing

Spending the week locked away in Selma writing a new TV show where two young black men discover a body that leads them down a rabbit hole of history through Jim Crow, lynching and slavery til they end with a present day truth that makes them advocates for reparations.

Soaking in the town, the history, and mostly reconnecting back to an important time of my life when I lived in Alabama for 7 years.  #Blessed.

Coming Home: The National Memorial for Peace and Justice, Montgomery, AL

You can’t walk straight up the hill.  You have to walk the long path, past the plaques and statues, forced to take your time, you may not make the journey too quickly. Once at the first flank of the memorial, you can’t walk straight through. You have to wind your way and turn your shoulder sideways to get past the markers, which are actually bodies, large and iron.  The names of those lynched marked on each.

When you get to the end of the first flank, you are forced to turn. You may not like what happens next.  As you walk forward the ground begins to drop from beneath you. As you continue your descent the markers/bodies begin to lift, slowly at first, but soon they hover in the air around you, by death or resurrection, you do not know.

The third flank, the bodies are now above your head, hanging from the rafters. Here the signposts for your journey begin: “Seven black people lynched near Screamer, Alabama in 1888, for drinking from a white man’s well;”  “Charlotte Harrison lynched in 1878 in Rockingham, VA after a white man’s barn burned down;” “Parks Banks lynched in Yazoo City, Mississippi in 1922 for carrying a picture of a white woman in his hat.”  There is now no ambiguity about what you see above.

Turning to the fourth flank, you pause, for a plaque of remembrance, and then you turn and meet water.  Water, a market of those not named, a further remembrance, a possible release, a cleansing, the indication of the possibility of movement.  The bodies now far above your head, ascended into the sky.

EJI’s National Memorial for Peace and Justice was built just down from my old home in Montgomery, AL, on a street I walked most nights, talking with my neighbors, breathing the smells of trees and heat, listening to the stories of black folks on their porches. Up ‘til now I had always thought myself crazy, so did most others, a 23 year-old Harvard white boy who plopped himself down in Montgomery, AL for seven years. But now, speaking here with a fellow writer, all becomes clear. Montgomery is the crossroad of the United States, the belly of the beast, the Cradle of the Confederacy and the cauldron of the civil rights movement – it has a magnetic pull: from the bus boycotts, to freedom riders, to school desegregation, to decades of work for economic and racial justice. Standing with thousands of others pilgrims who have made the journey I see what I should have known all along: those who promote bigotry and hatred are the resistance, not us: they are the ones desperately fighting, while we are the ones journeying forward, slowly and at times in great darkness, but always moving.  We are the movement, we are love, we are heart. I weep as I call and remember those only momentarily forgotten, finally home.