On the Map: Be Strong and Naledi
Part of my commitment in this new life phase is to be out in the world doing what I love in community with others. I have often felt strange, ill at ease in my own head – the chasm between my inner world and outer reality sometimes incomprehensibly vast. And yet, in this new phase, I am choosing to step out none the less.
I’m now on a board of an organization run by an old friend called Be Strong Families and I’m now a judge for the South African version of the Tony Awards, the Naledi Theatre Awards. I find myself emerging.
14 June, 2014
Cairo Visit
Four days in Cairo for for a friend’s graduation.
Festivities then roaming the city, including seeking out beer (it takes us two days, and four hours, the windows have plywood nailed over them because in this Muslim city, you don’t want to be seen from the street.)
Then a descent into tombs and Erwan (the brother) is bored and listening to hip-hop on his Iphone and I try to tell him no, these were the first rappers, don’t you see? They made whole rooms to show off their wealth and possessions. He doesn’t really buy it.
Mostly I am amazed by the movement – teaching cows to walk, the geese threatening to take flight.
We come upon the first rounded wall and the first graffiti (c. 1,800 BCE) done by some priests.
In Cairo I feel like I have awoken from a slumber – seeing old friends, back in a family, the pulsing of a city 20 million+, descending into the massive grave of 24 dead bulls with black granite tombs and then emerging to the pale heat of the desert – I just want more.
7 June, 2014
31 May, 2014
Dismantling a Tree (or ode on the occasion of ending a very long relationship)
Don’t believe the hype – it’s all lies, these stories about trees falling in the forest. To fell a tree you don’t hack away at the core, you don’t throw your weight against its large trunk and emerge victorious, you don’t take vicious strokes and then yell “timber . . . “ This is all myth – there is no struggle, no crack, no thud.
Instead when you remove a tree, you do so in parts. You start from the top and you cut away: branches with a chainsaw, side trunks with an axe, ropes and pulleys to guide each falling piece. This is how you take apart a tree, until, in the end, the removal is so clean and so complete, you forget that the tree was even there.
Alex Burger Writing Featured in New Book
My play, Whose Blood, is featured in a new book Challenging History in the Museum: International Perspectives. The play is discussed, along with George Wolfe’s The Colored Museum (not bad company) in the Chapter “Making Them Laugh: Making Them Cry: Theatre’s Role in Challenging History. ” In the chapter, the lovely Judith Bryan credits the play with an elegance and depth that I can only hope are actually there.